Camera sutra (of de bleekgezichten)
The Herts Camera Sutra or The Palefaces (1973) is a militant and visually fragmented critique of Belgian bourgeois society, blending documentary collage with semi-autobiographical fiction. De Hert attacks the distractions of nationalism, religion, and popular culture while exposing capitalism, social injustice, and postcolonial exploitation. The film’s second half shifts to a disillusioned group of rebellious youths, revealing the uncertainty and emotional paralysis behind revolutionary ideals. Both politically fierce and deeply self-questioning, the film captures the tension between radical ambition and powerlessness.
Genre: Drame
Jeter: Robbe De Hert, Monique Beyns, Freddy Beyns, Rufus J. Bonez, Frans Smolders, Alfred van Kuyk, Ida Dequeecker, Danielle Petit-Jean, Frieda Pittoors, Dirk Everaert, Piet Raes, Guido Van Zieleghem, Jacques Vandenbergh
Équipage: Robbe De Hert (Writer), Frans Huybrechts (Writer), Robbe De Hert (Director), Guido Henderickx (Editor), Paul De Vree (Producer)
Mot-clé:
Camera sutra (of de bleekgezichten) 1973
docudrama
Cinécentrum N.V.
Fugitive Cinema Holland
Ministerie van Nationale Opvoeding en Nederlandse Cultuur (België)
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